11/22/2023 0 Comments Cadillac records online![]() Mos Def is a charming Chuck Berry he really communicates the charisma that Berry exuded to his adoring female fans. Jeffrey Wright is quietly compelling as Muddy Waters. ![]() Flashy glimpses into the glamorous styles of the 1950s and 60s include loving looks at the many Cadillacs Chess gives as gifts to his star performers. Their music is great and is played all but non-stop on the soundtrack, which is a very good thing. These artists' work had huge impact on popular music the Rolling Stones are shown on a pilgrimage to Chess Studio. In the 1950s, Leonard Chess, a Polish-born Jew in Chicago, along with his brother Phil (not seen in this film) produced "race" records by African American blues and rock and roll legends like Muddy Waters, Howlin' Wolf, Chuck Berry and Etta James. But the movie does capture something of the then-new music's spirit, and that's enough to give it a shot at the rock-flick Top 10."Cadillac Records" is a fun, fast, flashy introduction to the world of Chess Records. In short, the post-war melding of blues, country, pop and other styles was a lot more complicated than Cadillac Records allows. in 1967, after the bloodless Brits finally got hip to the blues, when in fact he originally performed there in 1958. The movie also suggests that Waters first played the U.K. Thus we're told that the Beach Boys copied "Surfin' USA" from "Sweet Little 16" - but not that Berry swiped "Maybellene" from "Ida Red," a '30s country hit. Some of the film's wildest leaps are designed to support a thesis stated in the opening voice-over: that rock 'n' roll is essentially a white appropriation of the blues. (He's still alive, unlike his sibling, and thus capable of contacting a lawyer.) Missing entirely, for example, is Phil Chess, Leonard's brother and the label's co-owner. Many of the script's inventions and omissions serve the dramatic structure, but others seem designed for legal or ideological reasons. Of course, it's hard to flop with stompers like "My Babe," "Smokestack Lightning" or "Maybellene." (Unless you're, say, Pat Boone.)Īs history, Cadillac Records is wobblier. The actors performed their own vocals, and while the results don't upstage the originals, they're more than respectable. Particularly entertaining are Eamonn Walker's ominous yet charming Howlin' Wolf, Short's cocky and doomed Little Walter and Mos Def's Chuck Berry, a musical alchemist who duckwalks through the cultural ferment with an ironic twinkle.Īnd Beyoncé Knowles is much more vivid as the mercurial James than as Dreamgirls' Diana Ross surrogate. If many of the characters are walking stereotypes, the actors still personalize the roles, often with wry humor. This delirious approach almost works, in part because of winning performances. ![]() Everything is anecdotal, melodramatic and smushed together: Fights break out, guns go off, musicians are arrested, men pull from their wives' arms to rush to other women, and each emotional crescendo plays to an audience of prominent witnesses. Martin, who's worked mostly in TV, doesn't attempt a historical viewpoint. There's also the matter of money: Paternalistic to a fault, Chess gives his performers Cadillacs and houses, but doesn't necessarily pay the royalties they've earned. Some musicians are sidetracked by alcohol and heroin, racist cops are always a threat, and pop-music fashions change quickly. The course of musical revolution does not run smooth, of course. Most notable are the growly, hulking Howlin' Wolf, blues-gone-pop belter Etta James and country-tinged rock-and-roller Chuck Berry. Both Waters and Little Walter score hits, and more musicians arrive. Then Waters' band crashes Chess' new nightclub, leading to a contract with the Polish-Jewish blues aficionado's even newer business, a record company.Ĭhess opens a Southside studio and - in a scene familiar from nearly every birth-of-rock movie - instructs a stuffy engineer not to worry that the music's too noisy. The singer-guitarist moves in with nurturing Geneva Wade (Gabrielle Union), and adopts teenage harmonica genius Little Walter (Columbus Short). Inspired by an encounter with folklorist Alan Lomax, Waters heads north. Both movies are fairy tales, but Cadillac Records is far truer to one essential thing: the music.Īfter a clunky opening montage, writer-director Darnell Martin introduces her narrator, blues songwriter Willie Dixon (Cedric the Entertainer), and two central characters: Chicago entrepreneur Leonard Chess (Adrien Brody) and Mississippi sharecropper Muddy Waters (Jeffrey Wright). Blues brothers: From left, Jeffrey Wright as Muddy Waters, Jimmy Rogers as Kevin Mambo and Columbus Short as Little Walter.Īn exuberant fictionalization of the Chess Records story, Cadillac Records plays a gritty counterpoint to Dreamgirls.
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